Goynar Baksho (গয়নার বাক্স) Bangla Movie
Release Date: 12th April, 2013
Direction By: Aparna Sen
Produced By: Shree Venkatesh Films Pvt Ltd
Cast: Moushumi Chatterjee, Konkona Sen Sharma, Srabanti, Saswata Chatterjee, Paran Bandopadhyay, Pijush Ganguly & Others…
Genre: Drama
Goynar Baksho Bengali Movie Story
The ghost of pishima, played by Moushumi, entrusts Somlata (Konkona), with all the task regarding guarding her value trove of jewels. But how will Somlata encourage pishima to let her utilize the jewels to improve the flagging fortunes of their loved ones?
There’s a scene for the end of Goynar Baksho, where the mercurial pishima’s ghost, played by Moushumi, requests her granddaughter Chaitali -a dewy refreshing, understated Srabanti : to join her to get a smoke within the terrace. The 2 females sit right now there -bidhaba and kumari : referring to their particular contributed dreams and remembrances. Pishima attracts on her hookah; Chaitali hits a complement and lighting her cig.
This scene, in numerous way, records the fact of Aparna Sen’s newest offering. Past runs into present, older satisfies new and two visions of Bengal, pre- Partition and Bangladesh War, face up to each other. And this is just among the many juxtapositions in the film. Goynar Baksho succeeds because it functions from several ranges. You can find intensely private vignettes: pishima inquiring a blushing Somlata : Konkona in an endearing, nuanced efficiency (honestly, Daayan or no Daayan, exactly why aren’t we offer her more such tasks in Tollywood? ) : about her very first night of lovemaking with her hubby; pishima referring to the taste of shuntki maachh in her native Faridpur. But Aparna flags each such second for her commentary on Bengal’s transforming fortunes over much of 20th millennium.
The ghost of pishima, played by Moushumi, entrusts Somlata (Konkona), with all the task regarding guarding her value trove of jewels. But how will Somlata encourage pishima to let her utilize the jewels to improve the flagging fortunes of their loved ones?
There’s a scene for the end of Goynar Baksho, where the mercurial pishima’s ghost, played by Moushumi, requests her granddaughter Chaitali -a dewy refreshing, understated Srabanti : to join her to get a smoke within the terrace. The 2 females sit right now there -bidhaba and kumari : referring to their particular contributed dreams and remembrances. Pishima attracts on her hookah; Chaitali hits a complement and lighting her cig.
This scene, in numerous way, records the fact of Aparna Sen’s newest offering. Past runs into present, older satisfies new and two visions of Bengal, pre- Partition and Bangladesh War, face up to each other. And this is just among the many juxtapositions in the film. Goynar Baksho succeeds because it functions from several ranges. You can find intensely private vignettes: pishima inquiring a blushing Somlata : Konkona in an endearing, nuanced efficiency (honestly, Daayan or no Daayan, exactly why aren’t we offer her more such tasks in Tollywood? ) : about her very first night of lovemaking with her hubby; pishima referring to the taste of shuntki maachh in her native Faridpur. But Aparna flags each such second for her commentary on Bengal’s transforming fortunes over much of 20th millennium.
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